This is the beginning of chapter 1 of my novel-in-progress. I don't know if I have the formal first person quite right, but please let me know what you think!
On a warm early-June evening I walked slowly along the river, against the mild current that ripples it into the city, my hand dragging lazily along the rough surface of the balustrade.
Another gallery opening, another newly “discovered” local artist in his first exhibition here. Kyle usually gave me these shows to review; I was his most “mature” stringer, he said. “These college students don’t know a Picasso from a soup can yet. You’ve got a degree. You’re it, sweetheart.” I never told him I didn’t feel even up to the level of those students.
My eyes followed the flow of the water toward downtown, where it spilled into an urban pool within the circle of buildings. The lights were beginning to come on, and the reflections of the streetlamps glimmered in the water, floating and bobbing like white chrysanthemum petals in a Japanese watercolor.
The past three years were a tunnel into which it seemed the whole of my life had been funneled. Three intense, eliminating years in which all my external supports had fallen away. But my regret wasn’t for that. It was for a part of me that hadn’t been born yet and might never be.
I stood with my eyes half closed, the melancholy of evening settling over me like a soft scarf. A warm breeze teased at my hair and rippled my skirt around my knees. In my squinting vision the dancing lights on the water stretched out and joined together, a white-gold undulating chain. The footprints of angels. Something my mother would have said. An instant of aching, and then a sudden lightness. The evening seemed to change character; on a gentle night like this it was possible to imagine that lives and fates could transform within a moment.
I lifted my hands from the barrier and brushed off the tiny glasslike bits of gravel that had indented my skin. I turned away from the river, toward the building across the street, a nineteenth-century brick textile mill that had just been renovated as a center for the arts. It interested me more than the show being held there.
Tonight was the unveiling of the renovation and the opening of the new gallery, and much of Providence society was here. I snaked through the crowd toward the wine bar. I brushed against dresses with sequins and silk-fringed shawls, black evening jackets. Jewelry flashed from wrists and necks and earlobes. These were the people who could afford to buy the overpriced works of a narrowly known artist and hang them on the brightly painted walls of their twelve-room East Side mansions, telling all their friends that this painter was the Next Big Thing.
And here was I, in my simple unaccented rust-colored dress. The outsider, the one always trailing her fingertips in the stream of art, never fully immersed.
A rustling in the room ran toward the far end, toward the dais and the grand piano being played by a tuxedoed man. Hustling through the crowd was the top of a head I recognized as the mayor’s. He would dedicate the building in the name of the philanthropist who’d donated most of the money for the renovation. Newspaper cameras were flashing; I moved back as other people began moving forward. Someone was speaking on the dais, but I couldn’t make out the words. I could see the mayor shaking hands with a large white-haired man, the philanthropist; then a third, younger man joined them, and the three shook hands while photographers snapped. The guests began to applaud, and the gaps in the crowd in front of me closed. I edged toward the entrance to the gallery.